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"The Leap, not the Step", Part one: Creating the Physical Score for a Production of Heiner Müller’s Quartett
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Sumar "Studia Dramatica" 01/2007
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Modern Tragedy and Gender Role-Playing
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Jacob Levi Moreno şi teatrul
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Sorcières et sorcellerie dans le théâtre de Michel de Ghelderode
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Politeness Devices in Betrayal by Harold Pinter
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| Translated Title: |
Politeness Devices in Betrayal by Harold Pinter |
| Publication: |
Studia Universitatis Babes-Bolyai - Studia Dramatica
(1/2007) |
| Author Name: |
Ionescu, Diana-Viorela;
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| Language: |
English |
| Subject: |
Theatre, Film, and Performing Arts |
| Issue: |
1/2007 |
| Page Range: |
61-74 |
| No. of Pages: |
13 |
| File size: |
145
KB |
| Download Fee: |
2.6 Euro (€) |
| Summary: |
The analysis of politeness devices is completed against the discourse of Betrayal, a play by Harold Pinter. Since humans take part in a never-ending dialogue with the alter or with the ego, the article draws attention to the centrality of politeness in the ‘iceberg-text’ of any usual conversation. Even if such conversations appear within the framework of fictionality, the meanings are not counterfeit, because they are not changed by the conventions of fiction.
Motto:
„The word belongs half to those who utter it and half to those who listen to it”.(Montaigne) |
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Un acteur-fétiche de Baudelaire: Philibert Rouvière
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Tadeusz Kantor – condiţia artistului şi a artei
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Masca teatrală a lui Arlecchino
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Estetica teatrală şi pionieratul teatrului pur
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Womanist Scholarship and Performance: an Operational Connection
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Cultural Identity and Theatre Censorship
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L’acteur dans le theatre virtuel. Jeu theatral et filmique/video dans les projets virtuels de mark reaney: The Adding Machine et Wings
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Tehnologia digitală şi spectacolul de teatru. Realitatea virtuală pe scenă
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Recenzii: Hybris şi identitate: Visul unei nopţi de vară
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Recenzii: Bătălia sexelor
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Recenzii: "Reperele unui destin"
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Recenzii: Despre cronica bine scrisă a cronicarului care nu-i din Bucureşti
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Recenzii: "Absurdul d’anţărţ şi sarcasmul treimiist"
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Conferinţa internaţională Performing Literatures, CIRTT, University of Leeds
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Recenzii: Auto-analize de spectator
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